LEONARDO. IL CAPOLAVORO PERDUTO

da Martedì 22 Marzo
a Martedì 22 Marzo
ore
18.30 e 21.00

Intero: 10€  Ridotto: 8€

Emozionante, provocatorio, seducente. Una storia sconvolgente in bilico tra cinismo, potere e adorazione per svelare i misteri che si celano dietro al “Salvator Mundi” il dipinto più costoso mai venduto al mondo. Con la partecipazione straordinaria di Dianne Modestini, Luke Syson, Martin Kemp, Maria Teresa Fiorio, Frank Zöllner, Alison Cole, Bernd Lindemann…

 

Dopo il successo raccolto al Tribeca Film Festival e alla Festa del Cinema di Roma, dove è stato presentato in anteprima mondiale, arriva al cineteatro Don Bosco il 22,  marzo “LEONARDO. IL CAPOLAVORO PERDUTO” di Andreas Koefoed, il documentario che racconta la storia del Salvator Mundi, il dipinto più costoso mai venduto (450 milioni di dollari la sua quotazione) ritenuto uno dei capolavori perduti di Leonardo da Vinci. 

Nel 2008, gli esperti di Leonardo Da Vinci più illustri al mondo si sono riuniti attorno a un cavalletto alla National Gallery di Londra per esaminare un misterioso dipinto: un Salvator Mundi apparentemente senza pretese. Tre anni dopo, la National Gallery ha presentato quell’opera come un dipinto autografo di Leonardo nella celebre mostra dedicata al pittore, dando vita a una delle vicende più seducenti e sconcertanti del mondo d’arte dei nostri tempi. Girato nel corso di tre anni, LEONARDO. IL CAPOLAVORO PERDUTO racconta meticolosamente l’intera storia dietro il Salvator Mundi e si snoda come un thriller avvincente che vede protagonisti roboanti nomi dell’arte, della finanza e della politica. Il regista Andreas Kofoed posiziona questa storia all’incrocio tra capitalismo e creazione dei miti contemporanei, ponendo al pubblico una domanda emblematica: questo dipinto multimilionario è davvero di Leonardo o semplicemente alcuni uomini di potere vogliono che lo sia?

È proprio a partire da questo interrogativo che LEONARDO. IL CAPOLAVORO PERDUTO narra la storia dietro le quinte del Salvator Mundi. Dal giorno in cui (dopo essere stato acquistato per 1.175 dollari in un’oscura casa d’aste di New Orleans) sono state scoperte magistrali pennellate rinascimentali sotto la vernice pesante del suo restauro a buon mercato, il destino del Salvator Mundi ha visto intrecciarsi ricerca di fama, denaro e potere. Man mano che il suo prezzo è salito alle stelle sono aumentate anche le domande sulla sua autenticità. Ma infine, a distanza di anni: questo dipinto è davvero di Leonardo da Vinci? Svelando i progretti nascosti degli uomini più ricchi della terra e delle istituzioni artistiche più potenti del mondo, il documentario mostra come gli interessi che si celano dietro al Salvator Mundi siano così giganteschi da far diventare la verità qualcosa di secondario.

Spiega Andreas Kofoed: “Questa storia mette a nudo i meccanismi della psiche umana, la nostra attrazione verso il divino e i meccanismi delle società capitaliste in cui denaro e potere prevalgono sulla verità. Il dipinto diventa un prisma attraverso cui possiamo comprendere noi stessi e il mondo in cui viviamo. A oggi non ci sono prove conclusive che il dipinto sia – o non sia – di Leonardo. E finché c’è un dubbio, persone, istituzioni e stati possono di fatto “usarlo” per lo scopo che risulta loro più utile”.

Tra i protagonisti del documentario la restauratrice DIANNE MODESTINI; i mercanti d’arte ROBERT SIMON, ALEXANDER PARISH e WARREN ADELSON; l’imprenditore YVES BOUVIER; il curatore della National Gallery di Londra LUKE SYSON; gli storici dell’arte ed esperti di Leonardo MARTIN KEMP, MARIA TERESA FIORIO e FRANK ZÖLLNER; l’artista e restauratore JACQUES FRANCK; il Global Art Services Executive di Bank of America EVAN BEARD; la scrittrice e giornalista GEORGINA ADAM; il giornalista investigativo BRADLEY HOPE; la scrittrice ALEXANDRA BREGMAN; i critici d’arte e scrittori KENNY SCHACHTER e JERRY SALTZ; il Professore Associato al Sciences Po STÉPHANE LACROIX; il Direttore di The Arts Newspaper ALISON COLE; i giornalisti ANTOINE HARARI e DAVID KIRKPATRICK; il Fondatore dell’FBI Art Crime Team ROBERT KING WITTMAN; l’ex agente CIA DOUG PATTESON; il partner commerciale di Yves Bouvier BRUCE LAMARCHE; il Direttore di La Tribune de l’Art DIDIER RYKNER; il Direttore (2004- 2016) della Gemäldegallerie di Berlino BERND LINDEMANN.

Embedded thumbnail for LEONARDO. IL CAPOLAVORO PERDUTO
Regista:

Andreas Koefoed

Cast:

Sceneggiatura: Andreas Dalsgaard, Christian Kirk Muff, Andreas Koefoed, Mark Monroe, Duska Zagorac Fotografia: Adam Jandrup Montaggio: Nicolás Nørgaard Staffolani Musiche: Sveinung Nygaard

Genere:

La Grande Arte

Anno:

2021

Durata:

1 ora e 66 minuti

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LEONARDO. IL CAPOLAVORO PERDUTO

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Found 56 reviews in total

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Best Marvel movie in my opinion

17 December 2016 by hawaiipierson

This is by far one of my favorite movies from the MCU. The introduction of new Characters both good and bad also makes the movie more exciting. giving the characters more of a back story can also help audiences relate more to different characters better, and it connects a bond between the audience and actors or characters. Having seen the movie three times does not bother me here as it is as thrilling and exciting every time I am watching it. In other words, the movie is by far better than previous movies (and I do love everything Marvel), the plotting is splendid (they really do out do themselves in each film, there are no problems watching it more than once.

Just about as good as the first one!

17 December 2016 by hawaiipierson

Avengers Age of Ultron is an excellent sequel and a worthy MCU title! There are a lot of good and one thing that feels off in my opinion.

THE GOOD:

First off the action in this movie is amazing, to buildings crumbling, to evil blue eyed robots tearing stuff up, this movie has the action perfectly handled. And with that action comes visuals. The visuals are really good, even though you can see clearly where they are through the movie, but that doesn't detract from the experience. While all the CGI glory is taking place, there are lovable characters that are in the mix. First off the original characters, Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye, are just as brilliant as they are always. And Joss Whedon fixed my main problem in the first Avengers by putting in more Hawkeye and him more fleshed out. Then there is the new Avengers, Quicksilver, Scarletwich, and Vision, they are pretty cool in my opinion. Vision in particular is pretty amazing in all his scenes.

THE BAD:

The beginning of the film it's fine until towards the second act and there is when it starts to feel a little rushed. Also I do feel like there are scenes missing but there was talk of an extended version on Blu-Ray so that's cool.

One of the most boring exepirences from watching a movie

26 March 2017 by christopherfreeman

I can't right much... it's just so forgettable...Okay, from what I remember, I remember just sitting down on my seat and waiting for the movie to begin. 5 minutes into the movie, boring scene of Tony Stark just talking to his "dead" friends saying it's his fault. 10 minutes in: Boring scene of Ultron and Jarvis having robot space battles(I dunno:/). 15 minutes in: I leave the theatre.2nd attempt at watching it: I fall asleep. What woke me up is the next movie on Netflix when the movie was over.

Bottemline: It's boring...

10/10 because I'm a Marvel Fanboy

That spirit of fun

26 March 2017 by juliawest

If there were not an audience for Marvel comic heroes than clearly these films would not be made, to answer one other reviewer although I sympathize with him somewhat. The world is indeed an infinitely more complex place than the world of Marvel comics with clearly identifiable heroes and villains. But I get the feeling that from Robert Downey, Jr. on down the organizer and prime mover as Iron Man behind the Avengers these players do love doing these roles because it's a lot of fun. If they didn't show that spirit of fun to the audience than these films would never be made.

So in that spirit of fun Avengers: Age Of Ultron comes before us and everyone looks like they're having a good time saving the world. A computer program got loose and took form in this dimension named Ultron and James Spader who is completely unrecognizable is running amuck in the earth. No doubt Star Trek fans took notice that this guy's mission is to cleanse the earth much like that old earth probe NOMAD which got its programming mixed up in that classic Star Trek prime story. Wouldst Captain James T. Kirk of the Enterprise had a crew like Downey has at his command.

My favorite is always Chris Evans because of the whole cast he best gets into the spirit of being a superhero. Of all of them, he's already played two superheroes, Captain America and Johnny Storm the Human Torch. I'll be before he's done Evans will play a couple of more as long as the money's good and he enjoys it.

Pretend you're a kid again and enjoy, don't take it so seriously.

Impressive Special Effects and Cast

26 March 2017 by johnnylee

The Avengers raid a Hydra base in Sokovia commanded by Strucker and they retrieve Loki's scepter. They also discover that Strucker had been conducting experiments with the orphan twins Pietro Maximoff (Aaron Taylor-Johnson), who has super speed, and Wanda Maximoff (Elizabeth Olsen), who can control minds and project energy. Tony Stark (Robert Downey Jr.) discovers an Artificial Intelligence in the scepter and convinces Bruce Banner (Mark Ruffalo) to secretly help him to transfer the A.I. to his Ultron defense system. However, the Ultron understands that is necessary to annihilate mankind to save the planet, attacks the Avengers and flees to Sokovia with the scepter. He builds an armature for self-protection and robots for his army and teams up with the twins. The Avengers go to Clinton Barton's house to recover, but out of the blue, Nick Fury (Samuel L. Jackson) arrives and convinces them to fight against Ultron. Will they succeed?

"Avengers: Age of Ultron" is an entertaining adventure with impressive special effects and cast. The storyline might be better, since most of the characters do not show any chemistry. However, it is worthwhile watching this film since the amazing special effects are not possible to be described in words. Why Pietro has to die is also not possible to be explained. My vote is eight.

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